"hallFor cavernous interiors such as this museum-like hall in Totenkopf's lair, Adkins had to not only imagine the lighting that should fall on the actors, but also work with CG lighting artists to design the look of the scene. You don't exactly know...
Lire la suiteblue screen lighting unrespected gives avarage results on post, i'm realy suprised by the way they used it... the film '1930's mood and texture can't be the only reason or excuse of it... second note, the black balance had (mostly) never been re-ajusted...
Lire la suiteCapitain sky and the world of tomorrow. will try to forget the no sens of it screenplay, desapointing as some sfx, still laugh on water balls used for spalshing... anyway, focus on the cinetographhy... The originality of the film is to shoot on blue screen...
Lire la suitethe cosmique movie award and selection here use as data, list of actual references...next fallow by articles and pictures for each named film. Best Cinematography or Set Design of a 2004 FilmNominees for the Fifth Annual Cosmique Movie Awards Awarded...
Lire la suitecinematography: today's light workshop 'n theories... practices based on day / night moods... on a simple set, some experimentations... Cold pale night, late afternoon, noon... different directions and gels, lights to use, reflectors, poly, flag to alined......
Lire la suiteFor those who went to the "theatre du soleil", and saw "le dernier caravanserial" they'll be happy to know that the film is on post, check on the web site... It was my best theatre experience, geat stories, minimalistic, amazing, and humanist, creative,...
Lire la suitecinema can't inspires itself, uses it specific language, but find inspirations trough the other expressions and arts, from opera, for lyrism and décors, theatre for acting, music, photo and painting for light and camera, composition and colours, the web,...
Lire la suite"Cette invention (le cinéma) n'est pas à vendre. Elle peutêtre exploitée comme une curiosité scientifique, en dehors de cela elle n'aura aucun succès commercial." Louis Lumière
Lire la suiteThis complex, takes its inspiration from Orson Welles "F for Fake", People working on expression, like painting, theatre, cinema, and other transcritption of truth, or one, can, and probalby feel it once... "A faker searching truth trough a lie" can sum-up...
Lire la suiteWHY ? Why making films? Being a director? working in cinema? Everysingle film-maker, director, ask himself, herself, the question,doubt at least once... The next reflexion comes from a personnal experience, and don't have tobe take as generality, but...
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