sky captain shot after post-production / effects

Par dream-maker1

the same shot, after composting, chroma-key, re-lighting... etc...

Lire la suite

sky captain bluescreen shot

Par dream-maker1

on the set, the two characters are walking down the steps...

Lire la suite

sky captain light map / breakdown

Par dream-maker1

scene light map or breakdown, see up the bluescreen shot and after post look.

Lire la suite

sky captain... meeting the dop...

Par dream-maker1

Sky Captain and the World of Tomorrow was launched a decade ago as a question in a film student's mind: how can one make a film with little money, a small crew and out-of-this-world ideas? Using his knowledge of traditional cel-animation techniques, Kerry...

Lire la suite

sky 8

Par dream-maker1

but...

Par dream-maker1

that said... there is a big problem of connection with the digital look of scenes in the film, more than 10 sfx offices worked on it, and didn't look to repect the same visual line and style... the result is mixed between what the director wanted and...

Lire la suite

once done...

Par dream-maker1

once done on the set, the all cgi crew will have for mission to past the actors on the digital world, to cut out the blue screen, to add digital light, the all climatic effects, the reflection...3d compositing and 2D ones, to add the all sound (only voices...

Lire la suite

sky 4

Par dream-maker1

the second point is for director to be closer of his actors, to work on their emotions without any outside distrubtion ... but, the vision of what will be past behind, has to be well explain them... they'll have to imagine everthing around and to react...

Lire la suite

sky 5

Par dream-maker1

polly plane 2

Lire la suite

sky 4

Par dream-maker1

here Law going out of his "half polly plane". no need to get one real seize, it will be fix after, so, the good thing with blue screen is to save time and to have a law budget for shooting, then tranferted to post... and well re-invested.

Lire la suite