• For those who went to the "theatre du soleil", and saw "le dernier caravanserial" they'll be happy to know that the film is on post, check on the web site...

    It was my best theatre experience, geat stories, minimalistic, amazing, and humanist, creative, smart and pertinant, concerning the exports, exils, forced or wished of different people to different countries, trough wars, religions, needs... in their own language... hard is to sum-up this seven hours, but it will change you forever... you'll understand "those who move", a beat more...

    It will teach you a life lesson: our all existence is in between of two destinations...to happyness...

    hope the film will be as good, should be...

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  • cinema can't inspires itself, uses it specific language, but find inspirations trough the other expressions and arts, from opera, for lyrism and décors, theatre for acting, music, photo and painting for light and camera, composition and colours, the web, litterature and texts for drama, dance for mouvements... a whole world combined into a single web and support... the true magic is to know how to mix with elegance, and poetry, faith, and honnesty, passion and love, this all influences... to tell a single story...

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  • "Cette invention (le cinéma) n'est pas à vendre.
    Elle peutêtre exploitée comme une curiosité scientifique,
    en dehors de cela elle n'aura aucun succès commercial."

    Louis Lumière

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  • This complex, takes its inspiration from Orson Welles "F for Fake",

    People working on  expression, like painting, theatre, cinema,  and other transcritption of truth, or one, can, and probalby feel it once...

    "A faker searching truth trough a lie" can sum-up the situation, a sculptor that wish to see his rock breathing, a paintor a face alive, a film-maker a story to realy happen to him, as a writtor , to find reality trough creation...and, even beleive it as one.

    The victime, so faker can feels gulty of lies, and both try to find an "excuse", positive motivation of doing this, can try to find more realism in his life, to find out the life he wants in, or can turn mad, mental confusion.

    I know it can sound weird, but i guess, there is something there... tell me if you understood something in this.

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  • WHY ?

    Why making films? Being a director? working in cinema?

    Everysingle film-maker, director, ask himself, herself, the question,
    doubt at least once...

    The next reflexion comes from a personnal experience, and don't have to
    be take as generality, but can, maybe, help those who doubted ans still do...

    I did it, i asked myself this question, fatale, maybe, it had to happen one day,
    and it did...


    This three letters word, will put my brain up and down, to provoque a naîve desillusion...
    i had to face my dreams and illusion to the truth and reality...
    was victim, of the "complex of Fake", explain then.
    Weeks after, i simply realised that i asked myself answers i'll may only get later, one future day,
    and had to first anwser others, and say goodbye to a auto-psycho-analyse, going trough the perseptions
    of reality and imagination, the truth and illusion..

    the true ones where :

    What using film and cinema for ?
    for what good reason and goals ?

    It's so important to not idealise what's simply a support,
    as a page, a web, a rock, an instrument of expression,
    nothing more, nothing less...

    This is a first proove of maturity i've ever had,
    concerning cinema.

    Then, the research of a thrid answer to the queston:

    how will to use it ?

    If we really think about it, what does Welles, Van Trier,
    Trantino, Depalma the one they are, or used to be ?

    This greatest director found their personnal way of doing,
    their form, themes and languages.

    Nedd to start a first true work about film making and what
    compose it, to get my alphabet trough screenplay, light,
    camera, acting, montage etc... to make it mine.

    Feel awake from a dream...

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